Journal of the stylistic of Persian poem and prose
volume Number 13، number In Volume 2، َMay 2020 ، issue Number 48

Investigating the Stylistics of “Bineshan”s Poetry (Based on his manuscript)

Daryush Zolfaghari(Author in Charge)

Abstract

"Bineshan" is a Poem penultimate of woman that the manuscript of her poems is available; this edition is maintained at No. 1102 at the National Library of Paris, and a pictorial representation for the Institute for Humanities and Cultural Studies is available with number 190 .

Poems of the Bainshan is 1587 couplets, containing 216

lyric poems and 15 quatrains and one piece.

"Bineshan"most likely in the nineteenth century has been influenced by the great poets before her such as Attar, Neyshabouri, Maulvi, Sa"di and Hafiz, and hir lyrics are more structurally influenced by Hafez"s poetry.

"Bineshan" is a very simple, unobtrusive language, and rarely uses ancient words. Her poem is written in popular and famous weights. The poet is not rhyming and has used very simple rhymes and rows. The inner bliss of the poem "Bineshan" is mostly due to its punishments, and the likeness, metaphor and inspiration in her poem are more than the other imagination. Religious thoughts such as monotheism, prophethood, imamate and resurrection are explicitly expressed in the poet"s poetry, and her love for the Prophet of Islam is particularly distinct. It is almost certain that "Bineshan" is out of fame due to its mystical thoughts and did not want to name it.

In this research, the style of poetry "Bineshan" has been studied in three levels of linguistic, literary and intellectual.

Keyword
"Bineshan" , Persian poetry , Iraqi style , poet women , stylistics

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